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(Theoretically) destroying the museum



Samson
(1985) is an artwork by Chris Burden. In his words: “a museum installation consisting of a 100 ton jack connected to a gear box and a turnstile. The 100 ton jack pushes two large timbers against the bearing walls of the museum. Each visitor to the exhibition must pass through the turnstile in order to see the exhibition. Each input on the turnstile ever so slightly expands the jack, and ultimately, if enough people visit the exhibition, Samson could theoretically destroy the building. Like a glacier its powerful movement is imperceptible to the naked eye. This sculptural installation subverts the notion of the sanctity of the museum (the shed that houses art).”

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I'm currently working on a curatorial project for the next edition of FotoGrafia Festival in Rome.
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