Fluxlasers created a game level based on Cremaster 1 by Matthew Barney using Little Big Planet…
[via dangerousminds]
Fluxlasers created a game level based on Cremaster 1 by Matthew Barney using Little Big Planet…
[via dangerousminds]
“Juxtapositions, relationships and transformations” in the work of Douglas D. Prince…
“On Saturday October 9th, the physical space inside the MoMA NY building hosted a virtual exhibition occupying all floors (including an additional virtual 7th floor) in parallel to its ongoing show. The show was not be visible to regular visitors of the MoMA, but those using a smartphone application called “Layar Augmented Reality browser” (available for free in the iPhone app store and Android market) were able to see additional works on each of the floors, put there using location-based augmented reality techniques. So far, the MoMA is not involved in all this yet.
But that’s not a requirement anymore anno 2010, being independent by using AR. The experimental exhibition is part of the Conflux Festival, the annual New York festival dedicated to the psychogeography practice.”
The first digital edition of Vogue Hommes Japan consists only of black and white GIFs…
[via wewastetime]
Conflict Kitchen is a take-out restaurant that only serves cuisine from countries that the United States is in conflict with.
Cassandra Jones takes photographs she finds online and stiches them together to form animations like this Eadweard Muybridge homage:
“After Muybridge” is a loop made from 12 stock photographs that are sequenced to re-create the locomotion of a galloping horse. The animation was modeled after one of Eadweard Muybridge’s most famous motion studies called “Daisy”. I sifted through over 5,000 digital images to find 12 that matched his original photos.
The Internet allows me to access the over-abundance of everyday photographs, taken of everyday things, in every possible position. By collecting enough images of any one thing, including a running horse, I can place them in an order to re-invent or re-animate life.”
[via kottke]
John Cage performing Water Walk on a game show in 1960. Incredible stuff.
[via imrevolting]
Gentili Apri is teaming up with Chrystal Gallery to present Exhibition One. A computer rendered group show with works by Kari Altmann, Charles Broskoski, Lindsay Lawson, Billy Rennekamp, Maxwell Simmer, and Harm Van Den Dorpel – curated and rendered by Timur Si-Qin.
Extracting a parallel instance of the work as a three-dimensional representation of geometric data, Exhibition One offers an opportunity to present an alternate framework that posits the questions: Where does an artwork stop and its documentation begin? What is the function of a prospective image that is decisively not-a-model?
The work of Louis Durado…
“The author’s work is never loyal to any specific technic. Although oscillating in between digital an analogue method in different series, the works talk with each other and share several references.”
Rune Guneriussen shot some ironic and poetic photos of domestic objects in natural environments…
“The work on objects such as tables, lamps and chairs started in 2005, and has been photographed on location all over Norway. The objects are implemented mainly in scenes cast in appropriate landscapes, and here they are subject to a certain carachter carefully laying out a story. It is an approach to the balance between nature and culture, but also a multiple reading of stories.”
Animated Albums is my new favourite Tumblr Blog!
Left-handed Rietveld Chair is a work by Julien Berthier:
“Red and Blue Chair” by Gerrit Rietveld (1918) drawn with my left hand, and built by scrupulously following the resulting drawing. The prototype was then given to a carpenter who produced a serie of five identical copies.”
[via butdoesitfloat]
Capturing the Atom Bomb on Film is a slideshow about the photography behind the nuclear bomb testing between 1945 to 1962.
[via ektopia]
“Humorous CG short from 1992, poking fun at many of the clichés of computer graphics at the time. Produced at the New York Institute of Technology Fine Arts Center. ”
1992? Seriously?
[via nasty nets]
Off is a photo series by Johan Rosenmunthe:
“In ’Off’ the persons are only visible through a digital representation, while the surroundings are as analog as possible. These pixelated persons are isolated from the rest of the world and often find themselves in foggy, strange milieus.”
“The enemy of photography is the convention, the fixed rules of ‘how to do’.
The salvation of photography comes from the experiment.”
(Laszlo Moholy-Nagy, 1947)
Maps and Legends. When Photography Met the Web focus on the relations that photographic practice is establishing with the world of the Web: its culture, its language and its imagery. From animated.gifs to photos shot in virtual worlds; from the images of Google Street Views to snapshots that change in real time, with the data flows, and on to the camera that captures time instead of space.
testo in catalogo (ita)
catalogue text (eng)
Maps and Legends. When Photography Met the Web
curated by Valentina Tanni
Fotografia Festival 2010
Rome, Macro Testaccio
23 September – 24 October
www.fotografiafestival.it
I’m working really hard on the setting of the art show I curated here in Rome. The exhibition is called “Maps and Legends. When Photography Met the Web” and of course it’s about the relationship between photography and internet culture.
The show is part of FotoGrafia Festival 2010, the ninth edition of the International Rome Photo Festival (the website will be live in a couple of days… in the meantime, you can find some info and press material here and here).
I’m posting below the Festival’s invitation, in the animated version made by Jaime Martinez, one of the artists in my show (thanks Jaime!).
If any of you is in Rome or is planning to come before 24th of October, please consider visiting the show :-)
The opening is on Thursday night (23rd September), from 7 to 11 p.m. at Macro Testaccio (Ex Mattatoio), Piazza Orazio Giustiani, Rome.
Anyway, I will post photos and videos very soon :-)