If you happen to be in Milan before July 12th, go and take a look at this little project I’m working on…
“Nothing to see here is an exhibition in two parts and a discussion on art and visual culture in the era of the Internet at the Milan branch of the Istituto Svizzero, from 30 May through to 12 July 2013.
The initiative, curated by Valentina Tanni and Domenico Quaranta, is articulated as a moment of reflection on the status of images in contemporary society. The global diffusion of computers and the Internet, that supplied a vast number of users with the access to tools to produce and distribute images, has triggered a real explosion of creativity at every level. A multiform and undefined visual universe is the result – made of irregular, amateur cultural products, anonymous and collective creations, memes and viral videos – that often seem to evoke and repropose languages and practices that are linked to the avant-gardes, both historical and recent. Nothing to see here wishes to offer an overview of this irregular and vital movement, that takes place outside the institutional circuits and is slowly giving shape to a new culture, that radically questions professionalism in the art practice and forces us to rethink the creative activity and its role in society.”
“In the information society, the world is the frame. Art, in these conditions, has the potential of being “received” by millions of people at the same time, without a hierarchy of reception.”
– Joseph Kosuth, 1968.
She Has a Hot Ass. How conceptual art influenced the World Wide Web. On Citizen Brooklyn
Aled Lewis, Post post-modern ironic art for a cynical world. 297 x 420 mm (11.7 x 16.5 in) 5 colour screen print on Sirio 350gsm. Signed, numbered edition of 50. Lovingly hand-made in London, England for the “Memes” group show
“The internet has intensified connections between people across the planet. In this episode we take a look at the impact of this new interconnectivity on the art world. Traditional funding models are dissolving, new forms of expressing ownership have arisen to accomodate for remix culture, and artists are finding ways to connect physical art experiences and traditions to the internet. In the digital era, the experience of art from the perspective of the artist and the art audience is shifting rapidly, and bringing more people into the creative process. “
“For our latest mission, a presenter at the TED conference has his talk interrupted by the Mac spinning wait cursor, commonly known as the “Spinning Beach Ball of Death.” As he stands awkwardly and waits, things get weird.”
“GIFs are one of the oldest image formats used on the web. Throughout their history, they have served a huge variety of purposes, from functional to entertainment. Now, 25 years after the first GIF was created, they are experiencing an explosion of interest and innovation that is pushing them into the terrain of art. In this episode of Off Book, we chart their history, explore the hotbed of GIF creativity on Tumblr, and talk to two teams of GIF artists who are evolving the form into powerful new visual experiences.”
“For decades now, people have joined together online to communicate and collaborate around interesting imagery. In recent years, the pace and intensity of this activity has reached a fever pitch. With countless communities engaging in a constant exchange, building on each others’ work, and producing a prodigious flow of material, we may be experiencing the early stages of a new type of artistic and cultural collaboration. In this episode of Off Book, we’ll speak with a number of Internet experts and artists who’ll give us an introductory look into this intriguing new world.”
Chris Menning, Viral Trends Researcher, Buzzfeed
MemeFactory, Internet Researchers
Olivia Gulin, Visual Reporter, Know Your Meme
Ryder Ripps, Artist and Co-Creator, Dump.fm
John Kelly, PH.D., Founder and Chief Scientist, Morningside Analytics
A song about wasting time on the internet. Music by The Limousines, video directed by Mathieu Wothke.
A little too catchy but fun.
“We’ll end up numb from playing video games
and we’ll get sick of having sex.
And we’ll get fat from eating candy
as we drink ourselves to death.
We’ll stay up late
making mix tapes,photoshoping pictures of ourselves
while masturbate to these pixelated videos
of strangers fucking themselves.”
“The state of being ‘installed’ at a computer or laptop for an extended period of time without purpose, characterized by a blurry, formless anxiety undercut with something hard like desperation. During this time the individual will have several windows open, generally several browser ‘tabs,’ a Microsoft Word document in some state of incompletion, the individual’s own Facebook page as well as that of another randomly-selected individual who may or may not be on the ‘friends’ list, 2-5 Gchat conversations that are no longer immediately active, possibly iTunes and a ‘client’ for Twitter. The individual will switch between the open applications/tabs in a fashion that appears organized but is functionally aimless, will return to reading some kind of ‘blog post’ in one browser tab and become distracted at the third paragraph for the third time before switching to the Gmail inbox and refreshing it again.”
Art Fag City just published an anonymous (of course!) essay named What Relational Aesthetics Can Learn From 4Chan. This is a refreshing reading, indeed. The only problem is that art people who are not familiar with Internet Culture simply won’t get it…
‘There is a new profession of trail blazers, those who find delight in the task of establishing useful trails through the enormous mass of the common record.’ Vannevar Bush, ‘As We May Think’, 1945
TRAILBLAZERS is a live web surf event where you can show off your PRO surfing skills. No keyboard, no google, just pure links! At the event, the participants use a prepared computer with a modified browser: the address bar is removed and each click on a link is tracked by a counter. The goal is to get from one website to an other one by just clicking on links.