A structural conceit

Mike Nelson

I’m back in Rome after a short trip to Denmark and Sweden (here you can find the full photo album). I saw a lot of interesting stuff that I’m gonna report in the next few posts. Starting with the best of course: Mike Nelson‘s exhibition at Statens Museum for Kunst in Copenhagen. The installation occupies a whole floor of the museum with a labyrinthine and replicating series of rooms. The experience of walking through this work is really hard to explain: it begins with curiosity and fun, than leads to disorientation and anxiety, ending in total amazement. Nelson explains the project in a series of video-interviews you can watch here. And this is an effective description of the work:

Mike Nelson

“Two rooms exactly the same, connected by one long rectangular one in the middle. The structure I’m building is then flipped onto the other side and mirrored with a big curved 120-foot-long corridor in the middle. In a sense you see the back of a structure, the falsity of what you’re walking into, almost like you’ve come to the back of a show when you shouldn’t have done. Initially you’re feeling kind of pleased with yourself because you spoiled the artist’s trick. This however is a double bluff of sorts as it relaxes you for the main feature which is your passage through the curved corridor back to the same space where everything is reversed. It looks kind of the same but you know it’s not, so there’s an uncanniness, an unease about it. It’s like an investigation of your own recent history, a device to reinvent that sense of deja-vu the first time you ever experienced it as a child, an existential moment of confusion.”
(Mike Nelson interviewed by Michele Robecchi)

Pseudo-Documentary

Glass

You look at the photos and think “wow, what a spectacular installation”, maybe a little too crafty, but beautiful nonetheless. Then you realize something is missing. And slowly understand that it’s reality itself…
Pseudo-documentary is a photo series by David DiMichele, and depicts fantasy installations in monumental exhibition spaces. As we read in his gallery website: “DiMichele creates this work by first building scale models of exhibition spaces, and producing original artworks in drawing, painting and sculpture mediums, which are sited in the spaces and then photographed to create the final works.”

Post-Venice-Post

I’m back from Venice. This year’s Biennale is very light and easy to watch. I guess also easy to forget. Anyway, this is my “best of”:

Denmark + Nordic Countries Pavillion
Mexican Pavillion
Distortion exhibition
Catalunya Pavillion
Embassy of Piracy at Magazzini del Sale
Cile Pavillion
Austrian Pavillion
Mapping the Studio at Punta della Dogana
Unconditional Love (AES+F video)
Miranda July, Ceal Floyer, Lara Favaretto, Chu Yun, and a few other works I can’t remember at Arsenale

the official review is under construction but the photo-collection is already here