Luis Camnitzer, “The Photograph“, 1981
Ole Ukena, Cher, Chair, Share (Hello, Joseph), Poster of the singer Cher, a chair, a printed definition of the word share / 220 x 175 cm / 2011
The power of language can both separate us and bring us together. This piece, which is based on Joseph Kosuth‘s masterpiece Three and One chairs from 1965, playfully capitalizes on linguistic similarities while highlighting cultural absurdities bringing about the question: could a pop icon, place to rest and a single noun have anything in common/share common ground? In this work the intended act of misinterpretation becomes the actual act of artistic creation.
“Untitled” or : Confessions of a post-post-modernist
Ben Carrick, 2013
Maurizio Nannucci, There’s no reason to believe that art exists…
“In the information society, the world is the frame. Art, in these conditions, has the potential of being “received” by millions of people at the same time, without a hierarchy of reception.”
– Joseph Kosuth, 1968.
She Has a Hot Ass. How conceptual art influenced the World Wide Web. On Citizen Brooklyn
Yoko Ono, Snow Piece, 1963
[via André Brocatus was here…]
Retrospective is an art practice which only exists through pictures. By Xavier Barrade…
Infinite Judd, By Chris Collins