This could go on forever.
This is a work made by Memo Atken in 2009, but I just discovered it and it’s lovely!
“iScream consists of 16x iPhone applications that do absolutely nothing. Each one has a custom icon, which is a small section of Edvard Munch’s “The Scream”. Using the iPhone’s built in home layout interface, one can jumble up or re-align the tiles until the original painting is revealed; locked behind the iPhone home screen with the icon spacing acting as black cage bars.”
“The distorted guitar is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to it” – Brian Eno
On a Sunday morning in Henrico County, Virginia, dozens of residents woke to find old TV sets dumped on their lawns. One person reviewed their home security footage and reported the following: “It was a guy dressed in a jumpsuit with a TV for a head,” said Adrian Garner. “It’s the weirdest thing. He squats down, puts the TV there and walks off. It’s really weird.”
“Introducing murk and contamination into 3D worlds is really difficult, I would say that’s the biggest challenge: how to simulate the endless filth of the world.”
“Lavinia Schulz and Walter Holdt were a wife and husband partnership briefly famous in Germany during the early 1920s for their wild, expressionist dance performances consisting of “creeping, stamping, squatting, crouching, kneeling, arching, striding, lunging, leaping in mostly diagonal-spiraling patterns” across the stage. Shulz believed “art should be…an expression of struggle” and used dance to express ‘the violent struggle of a female body to achieve central, dominant control of the performance space and its emptiness'”.
“After Snell finished creating the 3D model, he disassembled the computer he made it on and ground it to dust using a specially-designed sealed box. This included the computer’s enclosure, its hard drive, its RAM and its graphics processing unit. He then 3D-printed a mold of Dio and cast the sculpture into this mold using resin and the ground remains of the computer.”
How do artists capture movement? What happens when our actions become codified – or exploited? A fascinating video-essay by Alan Warburton
by Kim Laughton