Stuart Sample is using a machine that makes flying happy faces (using glycerin, food dye, and helium)…
[via makezine]
Stuart Sample is using a machine that makes flying happy faces (using glycerin, food dye, and helium)…
[via makezine]
Archinect.com launched a design competion for a monument dedicated to Michael Jackson. Entries are available on the website from today. In the picture above you can see one of them: The Freedom Tower by Harrison & White, “a 1km high gold statue of him with anti-terrorist laser scanning/disintegration rays from his eyes”. LOL
This is something I never saw before. Ad agency BooneOakley built a whole website using Youtube videos . Screw Flash! :-)
[via Aram Squalls]
Here‘s a funny (but also depressing for us to read) report written by David Byrne after his trip to Rome. Featuring Radisson Hotel, the Vatican (with all the kitschy souvenirs), Renzo Piano’s Auditorium, Altare della Patria and much more… He seemes to understand very clearly what’s wrong with Italy’s sense of history:
“Do we have to respect every piece of rubble? What can we really hope to learn from these pathetic foundations and remaining stumpy bits of wall? Have the Italians sacrificed some part of their future in honoring and maintaining their glorious past? Am I being cynical? (I would certainly rather see ruins than block after block of ugly, concrete apartments!) The Italians must, I imagine, feel hamstrung by their past, which must justify in their minds the escape from the past represented by the ugly apartment and office buildings that fill these cities outside their historic zones.”
Also on Internazionale this week (in italian)
In 2004, Francis Alÿs collaborated with the National Portrait Gallery to create a piece generated by the gallery’s state-of-the-art internal CCTV system. Surveillance cameras observe a fox exploring the Tudor and Georgian rooms of the Gallery at night…
According to art critic Jonathan Jones, James Cameron’s new 3D film Avatar has something to teach us about the Renaissance:
“In the 15th century, artists discovered how to paint bodies and landscapes as if they had depth and solidity. Painting triumphed over the flat surface to create the illusion of a real scene glimpsed through the square enclosure of the wooden panel or canvas, as if you were watching a play on a stage. The effect was just as dazzling, just as unexpected as 3D cinema – and it has lasted a lot longer than the gimmicks of 1950s science fiction.”
Learn Something Everyday (and draw it!)….
Stockholm architects Wilhelmson Arkitekter have designed a housing project with windows that look like gilded picture frames
[via dezeen]
Speech Bubbles (1997), by Philippe Parreno, is a mass of cartoonlike three-dimensional white speech bubbles trapped against the gallery ceiling…
[via iheartmyheart]
another great webcomic by xkcd
Amazing series of carved magazines by Nate Page. He writes: “I enjoy transforming an image to become more physical and an object to be more image-like”…
[via beautiful decay]
A documentary about electric guitars. Starring Jack White, Jimmy Page and The Edge…
…have Louis Vuitton branded house!
“songsincode tries to display either a title of a song or part of its lyrics (as some songs are more known by the refrain than their title – for example there is no such thing as “all the lonely people” by The Beatles) in code. This could be PHP, JavaScript or any other language…”
It was 1981…
This is the first thing I saw arriving in Copenhagen. We were just strolling around the city, when I saw the Overgaden Gallery sign and decided to take a look. Established in 1986 by a group of local artists, Overgaden is a really interesting no-profit space for contemporary art, with a program of ten exhibition per year. Currently they are working on the new one, but last week I managed to see an amazing solo show by Pind, a young danish artist. His works plays tricks on the visitor’s mind, calling into question our sense of consciousness, perception, and reality itself…
I create you – you create me. I recognise myself in your thoughts, and you recognise yourself in mine. In this way, we mutually confirm our existence towards each other. (Pind)