Com-pu-pu-pu-pu-pu-pu-pu-pu-pu-pu-puter

Mi-Sex‘s (New Zealand/Australian new wave rock band) promo-video for the hit single ‘Computer Games’. October 1979. I’m fascinated…

Jammed up tight by red traffic lights
Advance one level on green
These opportune commuters
They’re blasting on thier hooters
I fidget with the digit dots
Frustration rules out there
As the XU-1 connects the spot
But the matrix grid don’t care

[via 990000.tumblr.com]

Dennis Hopper’s 1960s

rauschenberg

Before he hit the road in Easy Rider, Dennis Hopper spent years photographing Andy Warhol, Robert Rauschenberg, and other artists. View this amazing gallery on The Daily Beast (in this photo: Robert Rauschenberg with his tongue stamped “Wedding Souvenir, Claes Oldenburg,” 1966).

David Byrne on Italy

david byrne's blog

Here‘s a funny (but also depressing for us to read) report written by David Byrne after his trip to Rome. Featuring Radisson Hotel, the Vatican (with all the kitschy souvenirs), Renzo Piano’s Auditorium, Altare della Patria and much more… He seemes to understand very clearly what’s wrong with Italy’s sense of history:

“Do we have to respect every piece of rubble? What can we really hope to learn from these pathetic foundations and remaining stumpy bits of wall? Have the Italians sacrificed some part of their future in honoring and maintaining their glorious past? Am I being cynical? (I would certainly rather see ruins than block after block of ugly, concrete apartments!) The Italians must, I imagine, feel hamstrung by their past, which must justify in their minds the escape from the past represented by the ugly apartment and office buildings that fill these cities outside their historic zones.”

[read more]

Also on Internazionale this week (in italian)

(Re)Erased de Kooning

Nel 1953 Robert Rauschenberg espose un disegno di Willem de Kooning cancellato. Sul foglio rimase un’ombra, un fantasma delle (in)forme che furono. Pare che il giovane Bob portò una bottiglia di liquore per farsi coraggio quando andò dal vecchio Willem con la bizzarra richiesta (“mi regaleresti un’opera… vorrei cancellarla…”). Quest’ultimo acconsentì, ma decise di rendergli la vita difficile, scegliendo con calma un disegno che amava molto. In modo che fosse “difficile da cancellare”. In questo pdf, tratto dal libro de Kooning: An American Master, la scena viene raccontata nella sua interezza. E qui c’è un’intervista a Rauschenberg.
Infine, una rivisitazione in chiave informatica del gesto iconoclasta di Rauschenberg (video di Peter Baldes). Niente ombre stavolta, un lavoretto pulito…