“Corecore refers to an aesthetic that’s prevalent on TikTok under the hashtag “#corecore,” specifically within so-called NicheTok circles of NicheTokers, that plays on the -core suffix by making a “core” out of the collective consciousness of all “cores.”
[via]
“Kate Bellingham reports that an exciting new interconnected world – a world where every word ever written, every picture ever painted and ever film ever shot will be at our fingertips – is tantalisingly close. The information superhighway will be a high-capacity digital communication network, which in time could revolutionise the way we shop, socialise and work”.
“A 13-part television series covering aspects of the Internet in 1996 to introduce to a general audience. Called “Life on the Internet”, the series was hosted by Scott Simon, sponsored by Sun Microsystems, and covers the state of online life at the time”.
This is way TOO accurate.
Why One of the Internet’s Oldest Images Lives Out Without its Subject’s Consent.
“Zuckerberg will still be working on his smart home screens, Habbo Hotel rip-off Zoom calls, and budget Apple Watches, while young people are busy actually building a new internet, haphazardly, out of protocols that are free, easy-to-use, and the most convenient — Bluetooth, WiFi, video calls, free messaging clients, open source maps, QR codes, and the blockchain. And we will interact with this new metaverse on devices that we already own for a while. Then, slowly, new features will be added to help us interface with it better. Wireless bluetooth earbuds, smart watches, and phones will become more seamlessly integrated. They’ll have longer batteries, faster charging, brighter screens, better cameras, more wellness tools, and maybe eventually small projectors. We will create new user behaviors that companies will have to adapt to and then facilitate.
“25 years ago, the entire World Wide Web was only 2.5 terabytes in size. Most connections were dial-up, important records were stored on tape, and a young engineer named Brewster Kahle was working on a revolutionary project—a way to archive the growing Internet.
Filmed by Marc Weber for the Web History Project, this video showcases the Internet Archive’s very first web crawl in 1996. In 2001, the project was made accessible to the public through the Wayback Machine. Today, the Internet Archive is home to more than 588 billion web pages, as well as 28 million books and texts, 14 million audio items, and 580,000 software titles, making us one of the world’s largest digital libraries.”
[via]
“TLDR: Large proportions of the supposedly human-produced content on the internet are actually generated by artificial intelligence networks in conjunction with paid secret media influencers in order to manufacture consumers for an increasing range of newly-normalised cultural products.”
“This museum was founded in 2050 to commemorate two decades of a fossil-free internet and to invite museum visitors to experience what the coal and oil-powered internet of 2020 was like. Gasp at the horrors of surveillance capitalism. Nod knowingly at the plague of spam. Be baffled at the size of AI training data and lament the binge culture of video streaming”
A very interesting and necessary reflection on the difficulties of being our true selves online in 2019. And a good description of the never ending tension between the will to hide (and be safe) and the need to participate (and be exposed). Be sure to also read part II.
William Gibson talks about the Internet in 1997, BBC’s The Net…
Paintings by New York-based artist Jeanette Hayes. More here and here.
“There is an aesthetic crisis in writing, which is this: how do we write emotionally of scenes involving computers? How do we make concrete, or at least reconstructable in the minds of our readers, the terrible, true passions that cross telephony lines? Right now my field must tackle describing a world where falling in love, going to war and filling out tax forms looks the same; it looks like typing.”
[via dayofthedreamweavers]
“China’s censors are blocking words like “today” and “June 4″ from social media as part of the country’s yearly chore to block any reference to the anniversary to the Tiananmen Square massacre 24 years ago. And though the Chinese are running a sophisticated and tight censorship ship, they’re having a bit harder time blocking memes.”
Read full article here.
This is one of the most inspiring readings I ever did. Seriously.
Paul Miller went completely offline for a year and he finally discovered that blaming the web for our vices and our poor decisions about life just isn’t the right way to go.
I’m pasting a couple of quotes, but you should read the whole thing, because it’s richer and more complex than that.
“By late 2012, I’d learned how to make a new style of wrong choices off the internet. I abandoned my positive offline habits, and discovered new offline vices. Instead of taking boredom and lack of stimulation and turning them into learning and creativity, I turned toward passive consumption and social retreat.”
“I’d read enough blog posts and magazine articles and books about how the internet makes us lonely, or stupid, or lonely and stupid, that I’d begun to believe them. I wanted to figure out what the internet was “doing to me,” so I could fight back. But the internet isn’t an individual pursuit, it’s something we do with each other. The internet is where people are.”
“It only takes a quick scroll through Tumblr to come face-to-face with the bleak realities of millennial existence and to discover that in darkened rooms, lit only by the blue glow from the screen of a MacBook Air; over the sound of Hannah Horvath’s muffled complaints coming from the TV in the next room; where empty burrito wrappers and wine bottles line up on the windowsill like trepidatious soldiers, peering out into the snow blanketed world outside; where iPhones lay inert and vibrationless on IKEA bedside tables, there is a battle raging. There are 20-somethings everywhere crying through their fingers and onto keyboards, creating the kind of futuristic tears Blade Runner only dreamed of as they tap, tap, tap, bloodletting late into the night.”
[read more here]
[via kottke]
William Gibson interviewed:
“Anyway, I never wanted to be a collector of anything; I just wanted to pointlessly know really a lot about one thing. I did it with that, but there was sort of an end to the curve. I guess the end to the curve was realizing that what it had been about was the sheer pointless pleasure of learning this vast, useless body of knowledge. And then I was done [laughs]. I haven’t had to do that for ages. And I’ve never gotten another one of those; that may have been my one experience with that. But it was totally fun — I met some extraordinarily strange people over the course of doing that.
None of that would have been possible, but for the internet. In the old days, if you wanted to become insanely knowledgeable about something like that, you basically had to be insane — you had to travel around the world, finding other people who were sufficiently crazy to know everything there was to know about that. That would have been so hard to do, dependent on sheer luck, that it kept the numbers of those people down.
But now you can be a kid in a town in the backwoods of Brazil, and you can wake up one morning and say, “I want to know everything about stainless steel sports watches from the 1950s,” and if you really applied yourself, to the internet, at the end of the year you would have the equivalent of a master’s degree in this tiny pointless field. I’ve totally met lots of people who have the equivalent of that degree.”
“For the past 200 years, the gallery has been the home of new and cutting-edge art, a place where the art community can come together and share new ideas. But in this episode, we ask: is the web browser replacing the gallery as the best place to view amazing, cutting-edge art?!? In the era of the internet, you can view remarkable art from the comfort of your laptop. Accessible to virtually everyone, web art does away with the physical limitations of the gallery and makes impossibly cool art a part of our daily lives!”
