Twisted, an incredible series of photographs by Nicholas Kennedy Sitton…
(via but does it float)
Kevin Karsch and his team at the University of Illinois at Urbana-Champaign are developing a software system that lets users easily insert objects into photographs, complete with convincing lighting and perspective:
We propose a method to realistically insert synthetic objects into existing photographs without requiring access to the scene or any additional scene measurements. With a single image and a small amount of annotation, our method creates a physical model of the scene that is suitable for realistically rendering synthetic objects with diffuse, specular, and even glowing materials while accounting for lighting interactions between the objects and the scene. We demonstrate in a user study that synthetic images produced by our method are confusable with real scenes, even for people who believe they are good at telling the difference.
(via Laughing Squid)
“Our camera uses 36 fixed-focus 2 megapixel mobile phone camera modules. The camera modules are mounted in a robust, 3D-printed, ball-shaped enclosure that is padded with foam and handles just like a ball. Our camera contains an accelerometer which we use to measure launch acceleration. Integration lets us predict rise time to the highest point, where we trigger the exposure. After catching the ball camera, pictures are downloaded in seconds using USB and automatically shown in our spherical panoramic viewer. This lets users interactively explore a full representation of the captured environment.”
23 September – 23 October 2011
FotoGrafia. Festival Internazionale di Roma (X edizione) – Motherland
Opening: 22 september 2011, 8.00 p.m.
MACRO Testaccio, Piazza Orazio Giustiniani, Rome, Italy
tickets: full price € 5,00; reduction € 3,00
tel: 060608 (everyday 9.00-21.00)
(via How to be a Retronaut)
(via Dangerous Minds)
“The device is something in between a Polaroid camera and a digital camera. The camera doesn’t store the pictures on film or digital medium, but prints a photo directly on a roll of cheap receipt paper while it is taking it. As this all happens very slow, people have to stay still for about three minutes until a full portrait photo is taken.”
(via today and tomorrow)
Mark Twain and Nikola Tesla. More images here.
“American Pixels’ series is a pixel experiment created by Jörg M. Colberg in (2009 – 2010).
‘Image formats like jpeg (or gif) use compression algorithms to save space, while trying to retain a large fraction of the original information. A computer that creates a jpeg does not know anything about the contents of the image: It does what it is told, in a uniform manner across the image.”
(via TRIANGULATION BLOG)
“…Each picture show the artist’s hand making a one-finger gesture, again rude, at a variety of places familiar and unfamiliar. The equal-opportunity dissing encompasses power sites like Tiananmen Square and the White House, but also, intriguingly, Long Island City, Queens. Together with the history-infused sculpture, the antic pictures give a sense of the versatility of an artist whose role has been the stimulating, mold-breaking one of scholar-clown.”
– Holland Cotter for the New York Times
[via i like this art]