Thomas Mailaender is showcasing a new series of his cyanotypes at Ditto Gallery in London.
The cyanotype process (characterised by its cyan-blue hue) was developed as a means for blueprinting. Mailender utilises this technique to print images taken from his Fun Archive, a personal collection of absurd and anonymous pictures intuitively pulled from the Internet. Using this archaic and outmoded process to reproduce images from the modern digital age creates a dialogue about the validity and authenticity of images, and their place as artworks.
The exhibition «The Darknet – From Memes to Onionland. An Exploration» will open Kunst Halle Sankt Gallen for interdisciplinary expeditions and encompass themes such as copyright, privacy, illegality and resistance.
The Great Wall of Memes will be there, too.
“The book is far from dead: it’s returning in forms that few could ever have imagined”.
The Artful Accidents of Google Books, an article by Kenneth Goldsmith.
The Kopimi Totem, by Evan Roth, is a sculpture composed of seven open wireless routers arranged in the iconic Kopimi pyramid. The shape of the sculpture is also mirrored in ASCII form when a visitor opens the wireless settings on her laptop or mobile device.
Krystal South organized an exhibition on Kickstarter:
“I’ve created this Kickstarter campaign to experiment with new form of art exhibition and approach to selling work. I’ve asked 11 artists to create new works that fit into the Kickstarter format. In response, they have each designed a custom artwork through online retailers in editions of 10, and assigned a value for these mediated works. ”
Animated gif by Scott Gelber…
As artists, curators, and writers, we are increasingly forced to market ourselves by developing a consistent product, a concise presentation, a statement that can be communicated in thirty seconds or less—and oftentimes this alone passes for professionalism. For emerging artists and curators there is an ever-increasing number of well-intentioned programs that essentially indoctrinate them into becoming content providers for an art system whose values and welfare are wholly defined by its own logic of supply and demand.
Anton Vidokle, Art without Market, Art without Education: Political Economy of Art, 2013
In 1974, at the Utah Museum of Art in Salt Lake City, Chris Burden climbed into a “chrysalis”-like sac and had himself installed in between some of the museum’s exceedingly random 18th century paintings, with candles placed at his head and feet. And there he hid all day.
“Cybernetic Serendipity was an exhibition of cybernetic art curated by Jasia Reichardt, shown at the Institute of Contemporary Arts, London in 1968 and then touring the United States.”
Artist Marion Balac has collected images of iconic statues captured by Google Street View, which automatically tries to blur out what it recognizes as a human face to ensure anonymity.
“Nick Cave, the musician best known for his work with The Bad Seeds, was inspired to help create this online museum during the filming of his quasi-autobiographical documentary 20,000 Days on Earth. Cave, along with directors Iain Forsyth and Jane Pollard, began thinking about the nature of memorabilia, inspired by his own experience at a Nina Simone performance of yesteryear and a wad of chewing gum.”
“Ways of Something”, is a contemporary remake of John Berger’s BBC documentary, “Ways of Seeing” (1972). Commissioned by The One Minutes, at the Sandberg Instituut in Amsterdam and compiled by Lorna Mills, the project consists of one-minute videos by fifty eight web-based artists who commonly work with 3D rendering, gifs, film remix, webcam performances, and websites to describe the cacophonous conditions of artmaking after the internet.
Watch the online premiere of the first part here.
Michael Mandiberg, Burned Books…
Allergy to Originality, a short movie about “plagiarism, literary debt, appropriation, incorporation, retelling, rewriting, recapitulation, revision, reprise, thematic creation, ironic retake, parody, imitation, stylistic debt, pastiches, collages, and deliberate assemblages.”
“In Return invades the world of GIFs to the city of London with their latest project “GIFs Go Wild”
“Readymake: Duchamp Chess Set is a 3D-printed chess set generated from an archival photograph of Marcel Duchamp’s own custom and hand-carved game. His original physical set no longer exists. We have resurrected the lost artifact by digitally recreating it, and then making the 3D files available for anyone to print.”
Readymake: Duchamp Chess Set is a project by Scott Kildall and Bryan Cera
Blue Screen Of Death, 2014-15 A/W fashion collection from Japanese label Chloma with designs related to the connection between people and technology…
Gerda Steiner & Jörg Lenzlinger: The Conference, 2010-2011
Moody Vibes, by Claudia Mate, emoji sketch testing _playGnd animation tool create by Nick Briz + Branger_Briz…
“A multi-institutional team of new-media artists, computer experts, and museum professionals have discovered a dozen previously unknown experiments by Andy Warhol (BFA, 1949) on aging floppy disks from 1985. The purely digital images, “trapped” for nearly 30 years on Amiga® floppy disks stored in the archives collection of The Andy Warhol Museum (AWM), were discovered and extracted by members of the Carnegie Mellon University (CMU)Computer Club, with assistance from the AWM’s staff, CMU’s Frank-Ratchye STUDIO for Creative Inquiry (FRSCI), theHillman Photography Initiative at the Carnegie Museum of Art (CMOA), and New York based artist Cory Arcangel.”
A Hole in Space LA-NY, 1980 – Artists Kit Galloway and Sherrie Rabinowitz created a ‘hole in space,’ or what they described as a telecollaborative project that utilized satellites to stream true-to-life-scale video feeds between public spaces on either coast or large scale monitors, this was 30 some odd years before any of this became standard. The following is a video tape document of an unannounced, live two-way satellite transmission which took place between Los Angelese and New York city on November 12, 13 and 14, 1980 for two hours.
“Working both inside and outside of the software, the auratic labor of painting becomes an act of observance and intervention.”
Iconic history is a Chrome extension by Shan Huang that visualizes your browser history as a favicon stack. It creates a favicon for each url visited, and compiles all icons into a huge sequence based on access time. See interactive demo here.
Zoe Burnett, Be Yourselfie, 2013
Paul Hippolyte Delaroche – Louise Vernet (the artist’s wife, on her deathbed) 1845-46