A German artist collective stole a Joseph Beuys artwork from a Münster museum and gave it to an institution in Tanzania—and made a rollicking video about their stunt.
GANksy: AI-powered street art
Baloon-supported lake-walking
AI mindfuck
Time Out of Joint
“Time Out of Joint” is an online exhibition, curated by Eva & Franco Mattes for the Yerevan Biennal, and entirely taking place on the Darknet, a remote location at the “periphery” of the Internet, where time operates at a slow pace and pages load unhurriedly.
New works by six artists including Joshua Citarella, Clusterduck, David Horvitz, Vladan Joler, Amalia Ulman and 2050+ will be added once every two weeks, from October 2020 to January 2021, and in peer-to-peer style they are available to be seen, copied, reused… The title for this show was borrowed from a novel by Philip K. Dick.
To see the exhibition download the Tor Browser at www.torproject.org
and go to -> http://fjroxjgxhmd2ymp2.onion
The Museum of the Fossilized Internet
“This museum was founded in 2050 to commemorate two decades of a fossil-free internet and to invite museum visitors to experience what the coal and oil-powered internet of 2020 was like. Gasp at the horrors of surveillance capitalism. Nod knowingly at the plague of spam. Be baffled at the size of AI training data and lament the binge culture of video streaming”
Lasagna on Heroin
In 2012 artist Darren Bader injected a Lasagna with heroin. “We bought the Lasagna from Marks and Spencer and the heroin from a dealer”, said the gallerist, Sadie Cole.
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How To Remove Ham From CD Drive
Ham stuck in your CD or disc drive? Follow the steps outlined in this video to officially de-ham your CD drive and use make it good as new!
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The first underwater photograph
“Taken in the 1890s (most likely 1899) by biologist and photography pioneer Louis Boutan, it depicts Boutan’s Romanian colleague Emil Racovitza holding up a sign that reads ‘Photographie Sous Marine’ or ‘Underwater Photography'”.
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Octopus
“Octopus, by Trevor Paglen allows visitors from across the globe to virtually experience the London exhibition through a live web portal connected to cameras placed in the gallery. Online participants can observe visitors experiencing the work in person and can be “present” in the space by streaming their personal webcams on monitors displayed within the exhibition. As art spaces continue to grapple with visitor access in a post-COVID era, Octopus offers a new perspective on virtual engagement in the gallery space“