Internet And The Infinite Sadness

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“It only takes a quick scroll through Tumblr to come face-to-face with the bleak realities of millennial existence and to discover that in darkened rooms, lit only by the blue glow from the screen of a MacBook Air; over the sound of Hannah Horvath’s muffled complaints coming from the TV in the next room; where empty burrito wrappers and wine bottles line up on the windowsill like trepidatious soldiers, peering out into the snow blanketed world outside; where iPhones lay inert and vibrationless on IKEA bedside tables, there is a battle raging. There are 20-somethings everywhere crying through their fingers and onto keyboards, creating the kind of futuristic tears Blade Runner only dreamed of as they tap, tap, tap, bloodletting late into the night.”

[read more here]

Glitched furniture

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A hand-carved glitch-style storage unit titled “Good Vibrations“. By architect and designer Ferruccio Laviani:

“Echoes of faraway places and Oriental elements are glimpsed in the “disorienting” design of this storage unit, which seems to have been “deformed” by a strong jolt or by swaying movements. Although it appears to depart from the aesthetics of the past, in fact it draws upon ancient knowledge in the use of carving and fine wood workmanship.”

[via dangerous minds]

Webcam Venus

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Webcam Venus, by Addie Wagenknecht & Pablo Garcia:

“In Webcam Venus, we asked online sexcam performers to replicate iconic works of art. This piece is an experimental homage to both fine art and the lowbrow internet phenomenon of cams. Sexcams use webcams and chat interfaces to connect amateur adult performers with an audience. Users log on to see men, women, transsexuals, couples and groups broadcast their bodies and sexuality live for the public, often performing for money. To create this experiment in high and low brow media, we assumed anonymous handles and spent a few hours each day for a month asking performers: “Would you like to pose for me?””

An open letter to Apple

“an open letter to Apple + experimental prosumer manifesto on the issues of planned obsolescence, upgrade culture, technological self-reliance, control and copying. A [re]mix/make of Phil Morton’s 1976 video tape ‘General Motors’, in which contemporary Chicago [dirty] new media artists explain their love && hate relationship with the ‘default art computer’. by Nick Briz, copy<it>right 2013″

Post Artists

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“I like to think of the artists who are creating in these spaces, myself included, as “Post Artists.” We publish our art in the form of posts, but we’re also creating work that could be considered “after” traditional interpretations of art. And while it’s become something of an art world cliché to be “post-” something, we are living in an age that is quick to label things “post-”. This title attempts to reclaim that word with some humor. The state of Post Art is open to roughly 34 percent of the world. And the content that is being created in the space ranges from popular culture GIFs to ’net art to porn, and everything in between.”

On Coffee Houses, Salons, and the Post Arts, by Man Bartlett on Hyperallergic.

Installation Art: Who Cares?

“The maintenance and conservation of contemporary visual art is a new challenge for museums and art conservators. More and more artists have taken leave of the painter’s brushes and are moving on to new media, such as video. Or they are making installations of transient materials like polystyrene, wax and scotch tape. Can these works be saved for the art lovers of the future?”

The DRM Chair

The DRM Chair has only a limited number of use before it self-destructs. The number of use was set to 8, so everyone could sit down and enjoy a single time the chair.
A small sensor detects when someone sits and decrements a counter. Every time someone sits up, the chair knocks a number of time to signal how many uses are left. When reaching zero, the self-destruct system is turned on and the structural joints of the chair are melted.”