The Weird and Wonderful World of AI Art

This article contains an interesting timeline of recent AI art applications, from 2015 to 2022:

“The AI art we had before 2021 was intriguing, but tended to be abstract, esoteric, and just not that relatable to a human. The AI art we have now is fully controllable, and can be about whatever you want it to be. What changed? Well, there’s something to be said for the new wave of publicity and interest, which certainly accelerated the pace of our art-generation techniques. But the main development is the rise of multimodal learning.”

Another good read on the same topic is Clip Art and the New Aesthetics of AI by Luba Elliott, which also mentions this amazing work by Memo Atken.

AI-Generated Andy Warhol

“Continuing a trend that has been controversial among filmmakers, a new Andy Warhol documentary series, coming to Netflix next month, will resurrect the Pop artist using artificial intelligence. In the show, Warhol can be heard reading from his diaries. That voice, however, is not the artist’s own but rather the product of AI made to sound like him.”

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Inside Inside


“Created by Douglas Edric Stanley, Inside Inside is an interactive installation remixing video games and cinema. In between, a neural network creates associations from its artificial understanding of the two, generating a film in real-time from gameplay using images from the history of cinema.”

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Uninvited. An Horror AI Experience

UNINVITED, by Nye Thompson and UBERMORGEN, is a puzzling, disturbing but strangely seducing work. It rejects human viewers as much as it draws them in. A mix of dystopia, scifi and reality, the film echoes our confusion about the machines which intelligence (or utter stupidity) we sometimes fail to fully appreciate.”

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AI mindfuck

Everything is familiar, nothing can be named.

Anatomy of an AI System

“At this moment in the 21st century, we see a new form of extractivism that is well underway: one that reaches into the furthest corners of the biosphere and the deepest layers of human cognitive and affective being. Many of the assumptions about human life made by machine learning systems are narrow, normative and laden with error. Yet they are inscribing and building those assumptions into a new world, and will increasingly play a role in how opportunities, wealth, and knowledge are distributed.”

[read the whole paper here]

Holly Herndon’s Eternal Video

“Holly Herndon’s video for her dizzying new song “Eternal” follows the lonely journey of a machine as it analyzes and connects to a human face. It’s blurry and disorienting: a collage of eyes, ears, and mouths materializing in front of the camera, soundtracked by one of the most direct melodies Herndon has ever composed. Synth-orchestra blasts beam in from Y2K pop radio. A dance rhythm keeps stalling out while it’s buffering. “Right in front of my eyes,” a choir sings, slowly, in unison”.

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Dio, an AI Sculpture

“After Snell finished creating the 3D model, he disassembled the computer he made it on and ground it to dust using a specially-designed sealed box. This included the computer’s enclosure, its hard drive, its RAM and its graphics processing unit. He then 3D-printed a mold of Dio and cast the sculpture into this mold using resin and the ground remains of the computer.”
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The First Catastrophe of the 21st Century

Talking about road accidents and robots…

Nam June Paik, The First Catastrophe of the 21st Century, 1982
Location: 75th Street and Madison Avenue, Manhattan, outside of The Whitney Museum

“For this performance, the robot K-456 was removed from its pedestal at the Whitney Museum of American Art, which hosted Paik’s retrospective exhibition, and guided by the artist down the street to the intersection of 75th Street and Madison Avenue. When crossing the avenue, the robot was “accidentally” hit by an automobile driven by artist Bill Anastasi. With this performance Paik suggested the potential problems that arise when technologies collide out of human control. After the “collision”, K-456 was returned to its pedestal in the Museum.”

[source]