Miranda July suggests a strategy to avoid distractions and be productive again.
This is a deleted scene from her new movie “The future” (can’t wait to see it)…
[via nowness]
Miranda July suggests a strategy to avoid distractions and be productive again.
This is a deleted scene from her new movie “The future” (can’t wait to see it)…
[via nowness]
Google Melon, by Marco Cadioli…
(via mbf tod@y)
(via COLT + RANE)
Created by Katarzyna Kijek and Przemysław Adamski, ’In statu nascendi’ captures the ’under construction’ process, in this case, of global illumination pass in rendering:
To highlight a peculiar inability to reflect reality by the film, we focus on the ‘struggle’ of generating an image. We capture the process of rendering ‘in statu nascendi’ (‘under construction’). Therefore we try to intercept this moment of the creative process, which is the most ephemeral – a temporary, piecemeal render phases (mostly global illumination pass). In the course of animation every next frame is more accurately rendered but still far from the target appearance. By analogy to chemical processes, the term ‘in statu nascendi’ refers to the intermediate products of chemical reactions, which can not be isolated from the environment of this reaction. They are therefore just ‘under construction’, and then disappear.
More at kijekadamski.blogspot.com
(via CreativeApplications.Net)
“In Moon Score (1975-1979), Hitoshi Nomura photographed the moon on film marked with five lines (like staff paper). The project was supposedly inspired by Nomura spotting the moon moving behind telephone wires. In an early exhibition of the piece, visitors began to hum the “score”, and later exhibitions featured a CD with a string quartet or chorus performing the score. Later Nomura made a similar series called ‘birds’ photographing just birds.” You can listen to the music here.
(via TRIANGULATION BLOG)
Sonja Vordermaier, Streetlampforest, 2010
‘Streetlampforest’ is a collection of 30 european streetlamps from different origins and times (Amsterdam, Berlin, Erfurt, Leipzig, Glasgow, Innsbruck, Milano, Hamburg, Prag, Cagnes-sur-mer (France), Sarajevo, Stuttgart, Belgrade, Lippstadt, Munich, Sofia, Trieste,Wolfsburg and Vienna).
(via pietmondriaan.com)
(via TRIANGULATION BLOG)
Do you hate having to write your artist statement? Try the Arty Bollocks Generator…
[via dangerous minds]
Ryan Trecartin’s ANY EVER is on view at PS1 NY from June 19 through September 3. This is the exhibition’s trailer…
(via Hyperallergic)
Ellero Dual Death and Visual Ecosystem (Duplice morte Ellero ed ecosistema visivo) is a project by Riccardo Arena:
“Project B – “Ellero Dual Death and Visive Ecosystem “ (DM) has been developed through a narrative scheme built on the reorganization of a series of investigations which, through visual and textual anatomy, reflect on the concepts of identity, individuation and equality at a historical and symbolic level. The logic of the narrative is structured through an “archive paradigm”, within which, studies, journals, notes and views are rearranged in a kaleidoscopic game of substitution and rearrangement of parts.
The project foresees the making of a video 30/40 minutes long associated with a series of art works made with different techniques and a book that will state the stages of the development of the project.”
Personal Internet Cache Archive is a project by Evan Roth:
“Internet cache: “a mechanism for the temporary storage of web documents” (Wikipedia)
An ongoing study of archived images collected passively through my everyday Internet usage. Internet cache is visualized using off the shelf screen saver and image viewing software to produce archival prints and videos. Each print is a unique archive of cached images from a specific date.”
Colin Guillemet, Around the world, Globe and various international mains adaptors, 2009
Watching, by Niels Post, Miniature installation.Computerprint, paint and wood, 2006…
Stock 2011 by Ryder Ripps at Rhizome benefit. Real stock certificates for dead web companies…
Ai Weiwei work from Study of Perspective:
“…Each picture show the artist’s hand making a one-finger gesture, again rude, at a variety of places familiar and unfamiliar. The equal-opportunity dissing encompasses power sites like Tiananmen Square and the White House, but also, intriguingly, Long Island City, Queens. Together with the history-infused sculpture, the antic pictures give a sense of the versatility of an artist whose role has been the stimulating, mold-breaking one of scholar-clown.”
– Holland Cotter for the New York Times
[via i like this art]
Jason Lazarus is collecting Impossible Art Ideas…
(via BOOOOOOOM!)
Mercury and Ganymede by Elmgreen & Dragset, 2009…
(via WeWasteTime)