Hyper Current Living

ryder ripps

Hyper Current Living is a performance by Ryder Ripps in which he “lives” and “works” at Red Bull Music Academy between April 28th and May 5th 2013 – he’ll be drinking Red Bull and creating digital stuff at hyper speed. In the stream, our output is valued by its proliferation and its likes and favs – what incentive is there to spend 4 years writing a novel if it will just be a link in a stream lasting a few hours? The piece brings this trait into light by designating a time and space to the creation of such fragmented, short interactions native to social media.”

Personal Internet Cache Archive

Personal Internet Cache Archive is a project by Evan Roth:

“Internet cache: “a mechanism for the temporary storage of web documents” (Wikipedia)

An ongoing study of archived images collected passively through my everyday Internet usage. Internet cache is visualized using off the shelf screen saver and image viewing software to produce archival prints and videos. Each print is a unique archive of cached images from a specific date.”

Highscreen: net art on dying screens

Highscreen, 2011, by Aram Bartholl:

“In this public intervention ‘HIGHSCREEN‘ I revived dumped CRT screen from the streets of Berlin to show Internet art on them before they eventually go to electronic hell. Featured works in this intervention: ‘404’ by JODI 1997, ‘C.R.E.A.M.’ by Evan Roth 2010, ‘therevolvinginternet.com’ by Constant Dullaart 2010, ‘Super Mario Clouds’ by Cory Arcangel 2002″

Untitled Painting

“In his one piece domain Untitled Painting (www.untitledpainting.com), Thomas Traum has embedded searchable satellite imagery from Google as the substrate for abstraction and for painting on top of, you can click away. He says it is in part inspired by the late 1980’s overpainted photographs of Gerhard Richter, which is more or less apparent, yet where Richter’s tourist photo style backdrop’s are fixed, Traums locations are fluid.”

[via painted etc]

Archives: Netizens and L’oading

I took advantage of these calm midsummer days to dig into my analog archive and reverse some material that otherwise would be lost. I’m very proud to show you what I found!
Here are some videos that document my first two exhibitions, both organized between the end of 2002 and the beginning of 2003. They’re television reviews, so sometimes the voice over tells naive or even wrong stuff, and they’re available only in italian, but nonetheless…
I was younger, slimmer and full of enthusiasm :-)

The first two videos are about “Netizens. Cittadini della rete” (december 2002), a small show I curated in a private gallery in Rome. The show was not just about net art, but about making art in the age of the Internet, and more precisely, it tried to demostrate how important was for this new community of young artists to share a citizenship: the web citizenship.
Artists: Cory Arcangel/BEIGE, Elout De Kok, Jodi.org, Limiteazero, Carlo Zanni
more info: http://www.netizensonline.it/2002

The third video is a review of “L’oading. Videogiochi Geneticamente Modificati” (Genetically Modified Videogames). This show was open from January to March 2003 at the Siracusa City Museum, in Sicily and it was, as the title suggests, about artistic modifications of videogames.
I’m particularly happy that this video exists because this exhibition didn’t have a catalogue, so there’s no documentation around, and I think it was a great project.
Artists: Mauro Ceolin, Brody Condon, Arcangel Costantini, Corby&Baily, Delire, Victor Liu See-Lee, Nullpointer, Chiara Passa, Retroyou, Gentian Skhurti
more info: http://www.valentinatanni.com/2008/07/2003-loading-videogiochi-geneticamente-modificati/

Enjoy the jump in the past :-)


PAINT FX is a painting collective/ club/ company/ brand/ website/ blog/ party consisting of Jon RafmanMicah Schippa and Parker Ito.

“We’re kinda like Jogging meets Poster Company meets shiny stuff, but we’re way juicier.  Each work featured on the site is intended to belong to the brand PAINT FX as opposed to the individual who created the work.  Maybe we’ll outsource some work too.  We started the project because we were popping huge boners off of juicy gestural marks and we thought it would be fun and easy to make a lot of those.  But PAINT FX doesn’t favor styles or themes, but favors shiny computer screens.  In that way we’re like the “Cool School” (Finish Fetish) or maybe we are the “Too Kewl School”.  We don’t all live in California, but we can be categorized geographically (the Internet, duhhhhhhhhhh!).   It should also be noted that PAINT FX favors quantity over quality. The content of these paintings is mostly determined by the software’s capabilities – Art Rage, Photoshop, Corel Painter etc.  I think we’re very interested in “materials and materiality”, but we slip in some painting references every once and a while (Josh Smith, Roy Lichtenstein, Warhol?).  In order to fully appreciate this project one must consider the site, the software, and the potential for these paintings to be transformed into objects (hint, hint).(Note: The statement for PAINT FX was written by Parker Ito, and may not necessarily reflect the perspectives of other participating members.)”

net.art is dead! Long live pop.net.art!

“net.art never died! It just moved to your local Internet-shop!”. An exhibition project by Aram Bartholl

“Hit an Internet-cafe, rent all computers they have and run a show on them for one night. All art works of the participating artists need to be on-line (not necessarily public) and are shown in a typical browser with standard plug-ins. Performance and life pieces may also use pre-installed communication programs (instant messaging, VOIP, video chat etc). Custom software (except browser add-ons) or off-line files are not permitted. Any creative physical modification to Internet cafe itself is not allowed. The show is public and takes place during normal opening hours of the Internet cafe/shop. All visitors are welcome to join the opening, enjoy the art (and to check their email.)”

SPEED SHOW manifest by Aram Bartholl 2010

Redefining Exhibition in the Digital Age

Jogging is an art collective that displays immaterial works of art and writing on the Internet:

“In an MIT lecture last year, Michael Mittleman stated that between 90 and 95% of an artist’s audience will see their work through documentation. Art cannot exist without an audience, as it relies on media for its existence as art. With today’s burgeoning potential for digital mass viewership, transmission becomes as important as creation. Contemporary online artists are aware of this fact and seek to actively make use of its potential. Dematerialization is not an oppressive suffocation of art but a possibility for art to flourish in disparate and progressive discourses. The web offers infinite room for expansion and participation unlimited by the more severe constraints of space and finance.” (Redefining Exhibition in the Digital Age)

[via rhizome]

Windows and Mirrors


I dont’ usually do that. I mean, I don’t re-post things from my own blogs, but I’ll make an exception for this:

Ethereal self is a net art work by dutch artist Harm van den Dorpel. Landing on the project’s page activates the visitor’s webcam, trasforming the browser into a diamond-shape mirror. So far, the work is quite fun and thought provoking, but it really gets exciting when you find out (mostly by chance, since it’s not linked on the artist’s website) the second part of the project: the Ethereal Others website. Here, all the screenshots from the webcam activity are constantly archived, on a non-stop refreshing page. Hundreds of people looking in the computer’s screen, which is both a mirror and a window…


[via random magazine]

My Biennial is better than yours


Mybiennialisbetterthanyours an online project curated by Tolga Taluy for the X Biennale de Lyon

“The works displayed on mybiennialisbetterthanyours.com are not subversive because they are trying to deconstruct established systems of dot.capitalism. They are subversive because they are referring to these systems through the use of amateur “original” content production standards set up by meta-producers of online containers, which are radical in their mass popularity and ease of use.”

[via manystuff]

Che d’è?

Domattina parto per Venezia perchè sono stata invitata al convegno What is Netart?, organizzato da Blogwork, il progetto web legato alla Biennale. Il titolo è una gran bella domanda…E considerando la mia storica avversione per le definizioni, la faccenda si fa ancora più complicata. Ma a quanto pare non è prevista la domanda di riserva, quindi cuffia in testa e mi butterò, sperando di non cadere troppo spesso nella temuta trappola delle generalizzazioni.

Vorrei parlare anche degli sviluppi “oggettuali” e fisici della Net Art (sculture, installazioni etc). E a tal proposito sto raccogliendo una serie di immagini molto interessanti. Come questa di John F. Simon jr.

Torno al lavoro. Prometto un report al ritorno con foto…

p.s pare che a Venezia faccia un freddo cane, ma ora verifico perchè non vorrei andare conciata come Totò a Milano e poi trovare una leggera brezza primaverile. Saludos


Riporto un articolo che ho scritto su Random perchè penso che possa interessare i bloggaroli.

Il fenomeno dei blog non sembra destinato ad arrestarsi. E accanto ai più consueti siti testuali, tra i quali spiccano anche esperimenti letterari, sono da tempo comparsi anche molti esemplari di photo-blog e drawing blog, dove i post sono composti di sole immagini. Ma l’uso creativo della piattaforma di pubblicazione più diffusa della Rete è andato oltre. E dopo la net.art si ipotizza la blog.art. Secondo Christina Ray, fondatrice del sito Blog.art, (naturalmente un blog anch’esso) quest’ultima sarebbe “un’opera d’arte che utilizza il sistema di personal publishing dei blog come mezzo di espressione. Non dei blog sull’arte, ma il blog come arte”.

I progetti presenti finora sono solo cinque (tra cui un blog muto, uno basato sugli acronimi, e uno che sperimenta con Moveble Type) ma il sito è aperto a tutti coloro che vogliano segnalare la propria opera.


Absolute? There’s a party!

L’estate porta aria di festa nella capitale. L’estate romana comincia presto e finisce il più tardi possibile. E allora via con occhiali da sole, calzoncini, sandali infradito e feste in terrazza. Se poi la terrazza è sul Pincio, il panorama è mozzafiato, la vodka è gratis…si andrebbe anche alla festa di compleanno di una prozia ottantenne, all’anniversario della fondazione della Benemerita, ad una canasta tra vecchi aristocratici. Io ho iniziato, un paio di sere fa, con il party della vodka Absolute a Villa Medici. E mentre mi godevo la frutta e i sorbetti multicolore del buffet, mi è tornata in mente la vera, unica e inimitabile collezione di opere d’arte dedicate alla famosa vodka. Sembra preistoria ma era solo il 1998. Ladies and gentlemen: Absolute Net.art. E nessuno gliel’aveva commissionate…