Posts Tagged → video

Supercut Database

A supercut is a tightly-edited montage of short video clips organized around a theme, often a recurring word, phrase, or trope from film or TV. It used to be everywhere online around 2007/8, and we also have a ton of examples coming from the artworld (think about the award-winning Christian Marclay’s 2010 installation The Clock). The term was coined by Andy Baio in a blog post on Waxy.org, with the help of Ryan Gantz. The name stuck. Since then, supercuts have appeared in countless places. Baio just resurrected his old repository and you can browse it here.
And if you want a deep dive into the history and the aesthetics of this genre of montage, you can watch Max Tohline’s 2021 video essay “A Supercut of Supercuts: Aesthetics, Histories, Databases“, an amazing video that traces back the genetic lines of experimental film, fan remix, documentary, news, and more, uncovering the roots of the supercut well before YouTube. “These multiple interlocking genealogies reveal that the supercut isn’t just a new form of compilation editing; rather, it’s a new way of thinking expressed by a mode of editing. In fact, the supercut is only a small part of a much larger story about a culture that traded one paradigm of knowledge and power, that of the archive, for a new one: the database“.

My favourites? The video collecting all the “dude” pronounced by Hurley in Lost and the monumental Palin’s Breath.

[via]

In the Long Tail

I just watched this lecture performance that Mark Leckey gave in 2009 and I am in awe. The quality of the footage is not great, and it’s split in 7 parts, but it really doesn’t matter. It’s so powerful and prescient that no resolution issue can weaken it. It captures the essence of the internet in its more profound implications, telling a tale that starts with a dematerialized cartoon cat, dives into cybernetic theory, predicts the combinatorial vertigo of generative AI and ends up in pure psychedelic ecstasy, evoking angels and universal spirits.
I found the video thanks to this article written by Gia Festa on Do Not Research, which I can’t help quoting:

“He tells the crowd that, through the long tail machine, we can arrive at the future of desire. Smoke is flooding the stage, IDM is pumping through the speakers. Leckey speaks in foreboding monotone about how all of humanity is going to be united in ecstatic cybernetic equilibrium, a sort of Human Instrumentality Project-like singularity. The long tail will bend into a ouroboros and we “become one with the swarm”. This long tail machine would have a feedback loop so immediate and effectively self-regulating that it becomes almost prescient; our desires are informed by our content / our content is informed by our desires. The long tail know the contents of our dreams before we dream them“.

 

Patina Machine

The Patina Machine is an automated, agentic video essay pipeline created by Dutch artist Constant Dullaart. It functions as an autonomous system that continuously generates and publishes unique algorithmic video essays on a recurring cycle, exploring themes of machine authorship, prompt culture, and platform capitalism.

“The entire system operates as a continuous loop: generate, validate, publish, repeat. Conceptual Framework The essays explore themes of manufactured authenticity, simulated imperfection, and the commodification of trust in AI-mediated culture. Drawing on Barthes, Benjamin, Baudrillard, McLuhan, and contemporary media theory, they examine how the markers of “realness” are themselves becoming products of algorithmic design. The project itself embodies this tension: an automated system producing critical discourse about automation, generating arguments about authenticity through entirely artificial means.”

Flea Market Montgomery

Flea Market Montgomery was a furniture flea market store in Montgomery, Alabama. Despite their closure in 2009, the store created one of the most famous (local) television adverts in history. This video was filmed in 2006, and almost instantly became a viral hit across the internet. I think this is the source of inspiration for Cap’n Clark’s Ottoman Empire furniture store in the Kane Parsons’ Backrooms movie.

The Sheffield Freezer


“Anyone noticed how nice the freezers sound in the eccy road co-op?” someone wrote on the Sheffield Reddit page in January. “It’s like all the fans have been carefully tuned to the calmest droning chord ever, it’s like being in an electrical gong bath.”
Earlier this week, another Redditor shared a video of the freezers in all their aural glory, later earning a huge second audience when reposted to X. A debate ensued. Was it tuned to C# major? Could you hear the opening of Nothing Compares 2 U somewhere in the electronic hum? “I think it’s developed a slight discordant edge over the last couple of months,” one Reddit user wrote. “It’s ageing like fine wine.”

And now, of course, we also have a 10 hour ambience video on Youtube….

[via the guardian]

My Mulholland

A desktop documentary investigation of what it means to watch David Lynch films as a pre-teen and get lost in the image regime of the internet. Directed by Jessica McGoff in 2020.

Quoting the first Letterboxd comment by Ian Wang:

“captures the particular alienating strangeness of growing up on the internet like nothing else i’ve seen. for me (and i think for many of us who came of age in this era) the attachment i have to the online spaces i was raised in is queasy and intense. i’m endlessly indebted to those many strangers and friends who formed me, yet i can’t separate the things that nurtured me from the things i was sullied by. there’s no valence to it, is another way of saying this: i might know (again, as many of us do) that the internet is damaging my psyche, and i will still keep coming back and coming back and coming back because it’s been seared into me, because it’s how i communicate and consume and exist. my mulholland reflects the anxiety of that attachment precisely and intimately, captures the feverish, troubled curiosity of mcgoff’s teenage self with empathy and without judgement. so often this kind of film will veer into simple nostalgia, but mcgoff is careful, critical, refrains from any too-comforting resolutions or epiphanies that might come from this archaeology of her past self. instead she presents the confusion and the instability of that time in her life unvarnished, and leaves it to sit with us. it’s unsettling but it’s honest. this remains the kind of thoughtful, protean combination of the personal and the critical that i aspire to in my own work“.

DIY vs AI videos

Generative AI is taking over every corner of the internet. All kinds of content are imitated, replicated, remixed, and reinvented through AI. An unstoppable avalanche of images, videos, and text is submerging us.
I’ve been observing a specific reaction to this phenomenon that’s incredibly interesting: people trying to “fight” AI by attempting to recreate its content with physical objects and practical effects. I first saw this trend emerge in the field of ASMR and satisfying videos, but now people are recreating all sorts of slop. This response is giving rise to a new subgenre: a kind of artisanal content that deliberately imitates the artificial but, in doing so, emphasizes human skill and brings the craft element to the next level.”

Some great examples below.

Astronaut.io

“Today, you are an Astronaut. You are floating in inner space 100 miles above the surface of Earth. You peer through your window and this is what you see”. You are people watching. These are fleeting moments. These videos come from YouTube. They were uploaded in the last week and have titles like DSC 1234 and IMG 4321. They have almost zero previous views. They are unnamed, unedited, and unseen (by anyone but you).”

Macchine Adulatrici (Sycophantic Machine)

You know that flattering, annoying tone of ChatGPT? Marco Cadioli made a video about it. It’s called “Macchine Adulatrici (Sycophantic Machine)”. The audio is composed of all the phrases the model used to “guide” the author during the creation of the video itself. If you ask me, this is definitely the romantic hit of summer 2025.