On Anti-art

“Anti-art is art because it has entered into a dialectical dialogue with art, re-exposing contradictions that art has tried to conceal. To think that anti-art raises everything to the level of art is quite wrong. Anti-art exists only within the boundaries of art. Outside these boundaries it exists not as anti-art but as madness, bottle-racks and urinals”

(SMILE Magazine, 1985; quoted by Florian Cramer, in Anti-Media, 2013)

Dear Jennifer

dullart

Constant DullaartJennifer_in_Paradise, 2013. Re-distributed digital image, encrypted message.

“An image taken by John Knoll of his (at that time) soon to be wife, Jennifer. Together with his brother Thomas, John is know for developing Photoshop. Digitized by Kodak in 1987, it is the first known image to have been manipulated using the program. The image is newly distributed online, containing a steganographically encrypted payload.”

See also: A letter to Jennifer Knoll

[via]

Hyper Current Living

ryder ripps

Hyper Current Living is a performance by Ryder Ripps in which he “lives” and “works” at Red Bull Music Academy between April 28th and May 5th 2013 – he’ll be drinking Red Bull and creating digital stuff at hyper speed. In the stream, our output is valued by its proliferation and its likes and favs – what incentive is there to spend 4 years writing a novel if it will just be a link in a stream lasting a few hours? The piece brings this trait into light by designating a time and space to the creation of such fragmented, short interactions native to social media.”

An open letter to Apple

“an open letter to Apple + experimental prosumer manifesto on the issues of planned obsolescence, upgrade culture, technological self-reliance, control and copying. A [re]mix/make of Phil Morton’s 1976 video tape ‘General Motors’, in which contemporary Chicago [dirty] new media artists explain their love && hate relationship with the ‘default art computer’. by Nick Briz, copy<it>right 2013″

Installation Art: Who Cares?

“The maintenance and conservation of contemporary visual art is a new challenge for museums and art conservators. More and more artists have taken leave of the painter’s brushes and are moving on to new media, such as video. Or they are making installations of transient materials like polystyrene, wax and scotch tape. Can these works be saved for the art lovers of the future?”

Bucolic landfills

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Amazing series of digitally manipulated images of landscapes by chinese artist Yao Lu:

“The artist photographs mounds of garbage covered in green protective nets which he assembles and reworks by computer to create bucolic images of mountain landscapes shrouded in the mist inspired by traditional Chinese paintings. Lying somewhere between painting and photography, between the past and the present, Yao Lu’s work speaks of the radical mutations affecting nature in China as it is subjected to rampant urbanization and the ecological threats that endanger the environment.”

[via colossal]

New Lyrics for Old Songs

mark-mcevoy-3

Mark McEvoy is a british artist and illustrator. “New Lyrics for Old songs”, his most recent series, is an ongoing investigation on the relationship between images and text. New words are juxtaposed with old photographs, famous works of art and book covers, suggesting new interpretations and multiple meanings. Also, the project seems to suggest that any image, with an appropriate caption, can turn into an internet meme.

http://markmcevoy.tumblr.com
http://www.behance.net/markmcevoy

[posted on ArcoBloggers.com]

Simply by men

You are always looking for an emotion that has already been felt, just as you like to get an old pair of trousers back from the cleaners, which seem new as long as you don’t look too close. Artists are cleaners, don’t be taken in by them. The real modern works of art are not made by artists, but quite simply by men.
Francis Picabia, in Jesus Christ Rastaquouère (1920)