Posts Tagged → art

Literally No Place

Hello baby dolls, it’s the final boss of vocal fry here. Daniel Felstead’s glossy Julia Fox avatar is back. Last time she took on Zuckerberg’s Metaverse. Now she takes us on a journey into the AI utopian versus AI doomer cyberwarfare bedlam, exploring the stakes, fears, and hopes of all sides. Will AI bring about the post-scarcity society that Marx envisioned, allowing us all to live in labor-less luxury, or will it quite literally extinguish the human race?

Literally No Place, brand new video(art) essay by Daniel Felstead & Jenn Leung

The Future Ahead Will Be Weird AF

“Welcome to the post-post-post-truth AI world. You know it’s not real. But you have to eat some bread in order to survive. But there is more out there. Synthetic Personalities awaits you at the door. The Future will be weird AF.”

The Ultimate AI CoreCore Experience, provided by Silvia Dal Dosso

Ghostwriter

Designer and engineer Arvind Sanjeev created Ghostwriter, a one-of-a-kind repurposed Brother typewriter that uses AI to chat with a person typing on the keyboard. The “ghost” inside the machine comes from OpenAI’s GPT-3, a large language model that powers ChatGPT. The effect resembles a phantom conversing through the machine.

[via]

Everyone lives out a fairytale as a template script

Artist Ian Cheng looks at the way that the work of psychiatrist Eric Berne changed the way that he thought about human personality when it came to creating the AI simulations that people his work. On Elephant:

“Obviously we take different paths, but Berne believed that everyone lives out a fairytale as a template script that they’ve cast themselves into with the help of their parents. Most people aren’t satisfied with the script that they’re unconsciously barreling down. It might be a mismatch: maybe your parents had old fashioned values; maybe the culture you grew up in radically shifted in your teens, which alters the relevance of your life script.”

 

The Subject Changes

“The Subject Changes is a poetic live simulation of a capricious character, endlessly shape-shifting while negotiating his/her ambiguous world. The character sets out on an indefinite dérive – a frantic exploration – where fragile relationships with the world-cum-stage and its occupants are established or broken down. His/her state is ornately reflected in a constantly mutating attire, a fluctuating embodied masquerade — the virtual body as an encoded aesthetic artefact.”

Created by Vienna based Depart (Leonhard Lass and Gregor Ladenhauf).

When a harm ends, how can we make Amends?

In his latest work “Amends”, artist Kyle McDonald is auctioning three sculptures – from which the proceeds will pay to mitigate the historical emissions of three major art NFT marketplaces. The sculptures are both digital renders and physical handcrafted glass blocks, each filled with a material used for carbon removal and prevention. But they will only go on sale when Ethereum (finally? actually?) transitions away from proof-of-work. And the sculptures will be shipped to the owners of the NFTs—if they burn their NFT.

McDonald says: “The science shows that even if we end all emissions today, we still need to remove hundreds of billions of tons of historical greenhouse gases from the atmosphere and ocean. In tech the motto is ‘move fast and break things’, but those broken pieces are haunting us. Changing things going forward isn’t enough. This work represents a major opportunity to take responsibility for a small portion of our impact on the environment.”

Web Tapestries

Eva Ostrowska (b.1989) is a French visual artist whose mixed media work offers critiques of social dynamics and romantic relationships using a raw and unapologetic combination of humour, sarcasm, and irony. Ostrowska provides a commentary on love and relationships in the digital era, the dissonance of which is made even more impactful through the use of ancient mediums such as weaving and knitting to depict modern digital realities like the text message.

When Guys Turn 20

For the past several years, artist Joshua Citarella has targeted his research-based practice on the political behaviors of the young and very online. Jacob Hurwitz-Goodman has similarly used his documentary practice to investigate emergent political modes like Seasteading. Together in When Guys Turn 20, they explore how users across the political spectrum deploy memetic tactics on social media, as well as how the rhetoric and reality of Silicon Valley diverge.

Cycling through a variety of locales and roles (teacher, Twitch streamer, prisoner, Sith Lord), Citarella narrates online political methods and mechanisms of propaganda. From MMORPGs as a proof-case for socialism to the tricks of meme extremists to the problems of Big Tech, When Guys Turn 20 offers a behind-the-servers glimpse into various expressions of platform capitalism.

[via DIS]

Karaoke Torii

Karaoke Torii (2017), by Benoit Maubrey

300 recycled loudspeakers, Bluetooth receivers, microphone, line in, 1 amplifier. A 4-channel speaker system allows the public to express themselves directly via a microphone, a line in or their smart phones and wireless technology.

Commissioned by Kamiyama Artist Residency Program (KAIR) , Japan
12′ x 15′ x 2′ – Also commissioned by the Kobe Biennale 2015