“we’re an empire now, and we create our own reality”
… an installation by Matthias Männer.
Public Intimacy series, by Mentalgassi…
Jeffrey Shaw, The Legible City (1989-91), interactive installation
Nintendo, Cyberbike – Wii Sports (2009)
[thanks matteo]
Anish Kapoor‘s installation Shooting into the corner. At the Royal Academy (London) until December 11th. I can’t wait to see it live…
Great installation by Erika Hock…
The bull represents Wall Street and the man pinned to the wall is Bernard Madoff. Artwork by chines artist Chen Wenling…
The Tree (2006), is an artwork by Sebastian Errazuriz:
“A 10-meter high, real magnolia tree planted in the center of Chile’s National Stadium where dictator Pinochet tortured political prisoners 30 years ago. For a week the stadium was open to the public as a park. A soccer match played before 15,000 people, with the tree in the middle, was the closure of the piece.”
[via iheartmyart]
Speech Bubbles (1997), by Philippe Parreno, is a mass of cartoonlike three-dimensional white speech bubbles trapped against the gallery ceiling…
[via iheartmyheart]
This is the first thing I saw arriving in Copenhagen. We were just strolling around the city, when I saw the Overgaden Gallery sign and decided to take a look. Established in 1986 by a group of local artists, Overgaden is a really interesting no-profit space for contemporary art, with a program of ten exhibition per year. Currently they are working on the new one, but last week I managed to see an amazing solo show by Pind, a young danish artist. His works plays tricks on the visitor’s mind, calling into question our sense of consciousness, perception, and reality itself…
I create you – you create me. I recognise myself in your thoughts, and you recognise yourself in mine. In this way, we mutually confirm our existence towards each other. (Pind)
I’m back in Rome after a short trip to Denmark and Sweden (here you can find the full photo album). I saw a lot of interesting stuff that I’m gonna report in the next few posts. Starting with the best of course: Mike Nelson‘s exhibition at Statens Museum for Kunst in Copenhagen. The installation occupies a whole floor of the museum with a labyrinthine and replicating series of rooms. The experience of walking through this work is really hard to explain: it begins with curiosity and fun, than leads to disorientation and anxiety, ending in total amazement. Nelson explains the project in a series of video-interviews you can watch here. And this is an effective description of the work:
“Two rooms exactly the same, connected by one long rectangular one in the middle. The structure I’m building is then flipped onto the other side and mirrored with a big curved 120-foot-long corridor in the middle. In a sense you see the back of a structure, the falsity of what you’re walking into, almost like you’ve come to the back of a show when you shouldn’t have done. Initially you’re feeling kind of pleased with yourself because you spoiled the artist’s trick. This however is a double bluff of sorts as it relaxes you for the main feature which is your passage through the curved corridor back to the same space where everything is reversed. It looks kind of the same but you know it’s not, so there’s an uncanniness, an unease about it. It’s like an investigation of your own recent history, a device to reinvent that sense of deja-vu the first time you ever experienced it as a child, an existential moment of confusion.”
(Mike Nelson interviewed by Michele Robecchi)
You look at the photos and think “wow, what a spectacular installation”, maybe a little too crafty, but beautiful nonetheless. Then you realize something is missing. And slowly understand that it’s reality itself…
Pseudo-documentary is a photo series by David DiMichele, and depicts fantasy installations in monumental exhibition spaces. As we read in his gallery website: “DiMichele creates this work by first building scale models of exhibition spaces, and producing original artworks in drawing, painting and sculpture mediums, which are sited in the spaces and then photographed to create the final works.”
Could be a visual metaphor for our increasing entertainment addiction? If yes, is it childish?
[via happy famous artists]
Dall’autore di Benjamin Baumgarter, ecco a voi Blake…